Audible Testimonies: Surviving the Third Reich in Music and Media

Many of the first Holocaust testimonies involved music.Yet despite the central role that music played in the traumatic aftermath of the Third Reich, it was not perceived as testimonial.Audible Testimonies: Surviving the Third Reich in Music and Media explores the early postwar sounds of survivor musicians in Germany, demonstrating that their compositions, recordings, and performances were forms of witnessing.Individuals persecuted by the Nazis, including Jewish Holocaust survivors, political prisoners, Communist resistance fighters, and members of the Black German community, intentionally documented their experiences with music.Whether the Terezín memory pieces of Erich Adler, Fasia Jansen's musical protests, or the Ex-Concentration Camp Orchestra's appearances in their striped uniforms, sounding testimonies gave musicians who survived the Third Reich a public, audible platform.Their stylistic choices were as varied as their experiences, heard in the jazz, folk, pop, and classical musi