Blackness, Symbolism, and American Modernism: Class, Race, Gender, and Sexuality (Routledge Research in Art and Race)

In this book, Lori Nel Johnson examines the work of Henry Ossawa Tanner (1859-1937), Meta Warrick Fuller (1877-1968), and F.Holland Day (1864-1933) in relation to the development of modernism during the turn of the century, and the official narratives surrounding this movement. While Tanner and Fuller have been consistently linked in the history of American Art, the Pictorialist photographer and publisher, Day has rarely if ever been discussed with these two artists, despite the fact that all three were rough contemporaries and affiliated with Symbolism.The book compares the historical and social conditions that determined the lives and careers of these three artists, which curtailed their ambitions because of the intersections of class, race, gender, or sexuality.By examining each artist’s respective proximity to language on the basis of class, race, gender, and sexuality, this study avoids categorizing artists solely on the basis of difference, and thus, offers a more fulsome and rad