Emily Dickinson and Shakespeare: Queer Legacies and Queer World-Making (Routledge Studies in Shakespeare)

Moving beyond a cisgender, heteronormative framework, this book investigates Shakespeare’s queer legacy on Emily Dickinson’s work, particularly how this legacy has inflected Dickinson’s queer world-making and her conception not only of gender and sexuality, but also of the lyric itself.Drawing on Francophone and Anglophone scholarship on lyric poetry as well as a wide range of academic research on Dickinson and Shakespeare, queer studies, intermedial studies and theatre studies, Emily Dickinson and Shakespeare: Queer Legacies and Queer World-Making argues that if Dickinson does indeed inscribe herself into a hegemonic white culture by tracing this Shakespearean legacy, she does so by exploring themes like deviance, a refusal of normativity in all its forms, and by complicating gender and racial constructions.Theatre, and Shakespearean theatricality in particular, is the spring of Dickinson’s lyric energy.As a transformative, open space, the theatre is the core structure that intersects