Everything Is Everything: Tom Wilson and Pop Music in 1966

In the tradition of The Old, Weird America and Deliver Me from Nowhere, cultural critic Steven E.Jones explores American pop culture through the work of record producer Tom Wilson, and the artists with whom he collaborated in the miraculous year 1966. 1966 was a transformative year in popular culture, and especially in popular music.It's the year when go-go dancing met the electric blues, bubblegum pop met underground rock, free jazz met psychedelia, and they all morphed into one another like fluid blobs in a liquid light show.Diversifying radio formats, including the emergence of "underground" FM stations, greeted an efflorescence of boundary-breaking artists, records, and songs, at once showcasing and encouraging fervent experimentation.At the center of these changes, by turns channeling and amplifying these vibrant energies, stood the profoundly influential, if subsequently unheralded, record producer, Tom Wilson. It would be hard to find a figure more solidly located at the junctio