New Dramaturgies of Contemporary Opera : The Practitioners’ Perspectives

New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (Focus on Dramaturgy)

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New Dramaturgies of Contemporary Opera : The Practitioners’ Perspectives

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New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (Focus on Dramaturgy)

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 9 May 2026)
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This title will be released on May 22, 2026. Pre-order now. Express Delivery available with Amazon Prime.
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New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (Focus on Dramaturgy)

Overall Rating: 4.8 / 5 (average from multiple review sources, as of 13 May 2026)
Based on a total of 252 customer reviews from independent review platforms.

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This title will be released on May 22, 2026. Pre-order now.
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New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (Focus on Dramaturgy)

Overall Rating: 4.8 / 5 (average from multiple review sources, as of 13 May 2026)
Based on a total of 252 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

Notice:
pricehunter.co.uk cannot guarantee that published shop ratings originate from consumers who have actually made a purchase from the reviewed retailer.
This title will be released on May 22, 2026. Pre-order now.
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£30.10
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New Dramaturgies of Contemporary Opera : The Practitioners’ Perspectives

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New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today. The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux.The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera; and finally, Part IV looks at the ways in which technology has intersected with the
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