Nigerian Hip-Hop: Race, Knowledge, and the Poetics of Resistance – Oxford University Press

Nigerian, or Naija, hip-hop has existed for close to 45 years, and throughout its rich history has been influenced by not only imperialist media flows but also enduring discourses of African anti-colonialism and pan-Africanism and the long cultural traffic between Africa and the African diaspora.In Nigerian Hip-Hop, Tosin Gbogi draws upon close readings of lyrics and other media and oral interviews with more than fifty artists to engage fully with the culture on its own terms, examining questions lying at the intersection of rap poetics, race, knowledge, and popular culture.Troubling the conventional paradigm in which hip-hop in Nigeria stands squarely for imperialist machinery, he directs attention to the culture's provocative meditations on the afterlives of slavery and colonialism.Gbogi tracks these meditations across a wide range of sources, including lyrics, music videos, cover arts, liner notes, photographs, social media, archival materials, and oral interviews.Placing these sour