Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.5 / 5 (average from multiple review sources, as of 8 Feb 2026)
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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 12 Feb 2026)
Based on a total of 45,568 customer reviews from independent review platforms.

Sources & Transparency:
The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

All brand names and logos are the property of their respective owners.

Notice:
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Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture And The Production Of Community

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Pages: 412, Edition: Reprint, Paperback, Cambridge University Press
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