Sampling and Site-Specific Practice in Contemporary Art

In the early 20th century, copying, cutting and pasting entered the Western European avant-garde through collage and readymades, as artists employed found objects and ephemera to create new meaning from existing materials. This book explores how this practice has evolved in contemporary art today, looking at its important and distinct outcomes in the practice of artists such as Andrea Fraser, Douglas Gordon, Isaac Julien, Christian Marclay, Amie Siegel and Christopher Williams.It analyses the pivotal consequences of the interrelationships these artists establish between fragments of culture, from television and film, to internet culture and their artwork’s site, where the verb to "sample" has become deeply tied to digital music editing, writing, image production, database searches and social media.Samples take many forms: quotations of other cultural works; replicas of other objects; reenactments of works by other artists; or fragments that are quite literally cut or removed from other