The Cinema of Ann Hui: Aesthetics, Gender, and Displacement (Global East Asian Screen Cultures)
The Cinema of Ann Hui : Aesthetics, Gender, and Displacement
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The Cinema of Ann Hui: Aesthetics, Gender, and Displacement (Global East Asian Screen Cultures)
Overall Rating: 2.4 / 5 (average from multiple review sources, as of 24 Apr 2026)
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This title will be released on August 6, 2026. Pre-order now. Express Delivery available with Amazon Prime.
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A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020.This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023).The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come
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