The Death of Hamlet: A Counterfactual Reading of Shakespeare (Routledge Studies in Shakespeare)

This book is an intervention in Hamlet scholarship.In Thus Spake Zarathustra (1885), Nietzsche famously posited the death of God, taken to mean the dissolution of all horizons within which human beings construct a plausible ontology that gives words significance.The idea of God, as a transcendental signified (to borrow from Derrida), underwrites meaning and values.Socrates placed knowing as the highest philosophical good over two millennia ago; however, once we find that God (i.e. any transcendental signified) is unknowable, the world vanishes.In a world bereft of concepts and meaning, Nietzsche’s philosophical project becomes one of “redeeming” pure willing as itself constitutive of world. Hamlet and the criticism surrounding it is caught within competing horizons we know are circuitous and unending.We tiresomely make theoretical rounds between competing sets of interpretations that boil down to either establishing meaning within the play (the text transcending its history and reveali