The Destruction of Art: Iconoclasm and Vandalism since the French Revolution

In January 2006 a man tried to break Marcel Duchamp’s Fountain sculpture with a small hammer.The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist.Each such incident confronts us with the unsettling dynamic between destruction and art.Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth. Starting with the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and Eastern Bloc, Gamboni investigates other instances of destruction around the globe, uncovering a surprisingly widespread phenomenon.As he demonstrates through analyses of nineteenth- and twentieth-century incidents in the u.s. and Europe, a complex relationship exists between the evolution of modern art and a long history of iconoclasm.Gamboni probes the concept of artists’ rights, the power of political protest and the ways in which iconoclasm offers a unique interpretation of society’s relationship to art an