The Law, Society, and Politics of Entertainment in Britain : Regulation or Self-Censorship?

The Law, Society, and Politics of Entertainment in Britain: Regulation or Self-Censorship?

The Law, Society, and Politics of Entertainment in Britain : Regulation or Self-Censorship?

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The Law, Society, and Politics of Entertainment in Britain: Regulation or Self-Censorship?

Overall Rating: 1.5 / 5 (average from multiple review sources, as of 24 Jan 2026)
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The Law, Society, and Politics of Entertainment in Britain : Regulation or Self-Censorship?

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This open access book examines the rules shaping British political entertainment. Satire is a powerful tool for exposing political hypocrisy.It can be offensive and provocative, sparking debates about the limits of freedom of expression and the harm in humour.The book focuses on broadcasting restrictions born from the quaintly named rules on taste and decency, and impartiality, assessing the potential damage to democracy when rules are misinterpreted.In examining the historical and legal context, it traces how regulatory frameworks have evolved and impacted on the creative industries. Through interviews with industry professionals including comedians, writers, and executive producers, the book challenges the idea that regulation dictates editorial choices and creates a cancel culture.It reveals how broadcast practitioners decide the ethical and legal limits of offensive humour, and how the misinterpretation of the impartiality requirement can undermine satire’s role.Performers and writ
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