Watchfiends and Rack Screams: Artaud’s Last Unpublished Work

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Drawings on texts and letters dating from 1946, some of them written while he was still confined at the Rodez psychiatric hospital, Artaud devoted the months of November 1946 to February 1947 to completing his book through a long series of vocal improvisations titled Interjections, dictated at his pavilion on the edge of Paris.He cursed the assassins he believed were on their way there to steal his semen, to make his brain go “up in smoke as under the action of one of those machines created to suck up filth from the floor,” and finally to erase him.The publisher who had commissioned the book, Louis Broder, was horrified at reading its incandescent, fiercely obscene, and anti-religious manuscript and refused to publish it.Ambitious and experimental in scale, fragmentary and ferocious in intent, it was not published until 1978, in an edition prepared by Artaud’s close friend Paule Théven