Women, Making, and Everyday Value in Contemporary Installation Art : Jessica Stockholder, Liza Lou, and Sarah Sze

Women, Making, and Everyday Value in Contemporary Installation Art: Jessica Stockholder, Liza Lou, and Sarah Sze

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Women, Making, and Everyday Value in Contemporary Installation Art : Jessica Stockholder, Liza Lou, and Sarah Sze

Overall Rating: 4.1 / 5 (average from multiple review sources, as of 16 May 2026)
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Women, Making, and Everyday Value in Contemporary Installation Art: Jessica Stockholder, Liza Lou, and Sarah Sze

Overall Rating: 2.4 / 5 (average from multiple review sources, as of 9 May 2026)
Based on a total of 47,062 customer reviews from independent review platforms.

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The values are derived from publicly available retailer ratings from platforms such as Feefo, http://Reviews.io , Trustpilot, and others, and are aggregated monthly.

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This title will be released on January 21, 2027. Pre-order now. Express Delivery available with Amazon Prime.
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Women, Making, and Everyday Value in Contemporary Installation Art : Jessica Stockholder, Liza Lou, and Sarah Sze

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What can art offer as it extends beyond aesthetic categories and their boundaries?Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period. Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art.This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes.By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real an
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